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<h1>A Not So Fancy Listing of Books</h1>
<div class="contents">
<dl>
<dt>
-<a href="#sec1">Marcus Aurelius</a>
+<a href="#sec1">Douglas Adams</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec2">Hitchiker's Guide to the Galaxy (collected)</a>
+</dt>
+<dt>
+<a href="#sec3">The Long Dark Tea-Time of the Soul</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec4">Aeschylus</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec5">Oresteia</a>
+</dt>
+<dt>
+<a href="#sec6">Prometheus Bound</a>
+</dt>
+<dt>
+<a href="#sec7">The Persians</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec8">John Allison</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec9">Looks, Brains and Everything</a>
+</dt>
+<dt>
+<a href="#sec10">Blame the Sky</a>
+</dt>
+<dt>
+<a href="#sec11">Skellington</a>
+</dt>
+<dt>
+<a href="#sec12">The Retribution Index</a>
+</dt>
+<dt>
+<a href="#sec13">Great Aches</a>
+</dt>
+<dt>
+<a href="#sec14">Ahoy Hoy!</a>
+</dt>
+<dt>
+<a href="#sec15">Heavy Metal Hearts and Flowers</a>
+</dt>
+<dt>
+<a href="#sec16">Ghosts</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec17">Anonymous</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec18">Chymical Wedding of Christian Rosenkreutz</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec19">Aristophanes</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec20">The Frogs</a>
+</dt>
+<dt>
+<a href="#sec21">The Clouds</a>
+</dt>
+<dt>
+<a href="#sec22">Ecclesiazusae</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec23">Aristotle</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec24">Ethics</a>
+</dt>
+<dt>
+<a href="#sec25">Categories</a>
+</dt>
+<dt>
+<a href="#sec26">Poetics</a>
+</dt>
+<dt>
+<a href="#sec27">Rhetoric</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec28">Marcus Aurelius</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec29">Meditations</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec30">William Blake</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec31">The Four Zoas</a>
+</dt>
+<dt>
+<a href="#sec32">Jerusalem</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec33">Mike Carey</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec34">Lucifer (series)</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec35">Confucius</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec36">Analects</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec37">Neil Gaiman</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec38">The Sandman (series)</a>
+</dt>
+<dt>
+<a href="#sec39">Good Omens</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec40">John Taylor Gatto</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec2">Meditations</a>
+<a href="#sec41">Underground History of American Education</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec3">William Blake</a>
+<a href="#sec42">Kahlil Gibran</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec4">The Four Zoas</a>
+<a href="#sec43">A Tear and a Smile</a>
</dt>
<dt>
-<a href="#sec5">Jerusalem</a>
+<a href="#sec44">The Prophet</a>
+</dt>
+<dt>
+<a href="#sec45">Sand and Foam</a>
+</dt>
+<dt>
+<a href="#sec46">The Madman</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec6">John Taylor Gatto</a>
+<a href="#sec47">Homer</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec7">Underground History of American Education</a>
+<a href="#sec48">The Odyssey</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec8">Kahlil Gibran</a>
+<a href="#sec49">Aldous Huxley</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec9">A Tear and a Smile</a>
+<a href="#sec50">The Doors of Perception</a>
</dt>
<dt>
-<a href="#sec10">The Prophet</a>
+<a href="#sec51">Heaven and Hell</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec52">William James</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec53">The Varieties of Religious Experience</a>
+</dt>
+<dt>
+<a href="#sec54">The PhD Octopus</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec55">Henry James</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec56">The Altar of the Dead</a>
</dt>
+</dl>
+</dd>
<dt>
-<a href="#sec11">Sand and Foam</a>
+<a href="#sec57">Gregor Kiczales</a>
</dt>
+<dd>
+<dl>
<dt>
-<a href="#sec12">The Madman</a>
+<a href="#sec58">The Art of the Metaobject Protocol</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec13">William James</a>
+<a href="#sec59">Søren Kierkegaard</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec14">The Varieties of Religious Experience</a>
+<a href="#sec60">Sickness Unto Death</a>
+</dt>
+<dt>
+<a href="#sec61">Either/Or</a>
</dt>
<dt>
-<a href="#sec15">The PhD Octopus</a>
+<a href="#sec62">Fear and Trembling</a>
+</dt>
+<dt>
+<a href="#sec63">Repetition</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec16">Henry James</a>
+<a href="#sec64">Alisa Kwitney</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec17">The Altar of the Dead</a>
+<a href="#sec65">Destiny: A Chronicle of Deaths Foretold</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec18">Gregor Kiczales</a>
+<a href="#sec66">David Lamkins</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec19">The Art of the Metaobject Protocol</a>
+<a href="#sec67">Successful Lisp</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec20">Søren Kierkegaard</a>
+<a href="#sec68">Mencius</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec21">Sickness Unto Death</a>
+<a href="#sec69">Mencius</a>
</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec70">Walter Miller</a>
+</dt>
+<dd>
+<dl>
<dt>
-<a href="#sec22">Either/Or</a>
+<a href="#sec71">A Canticle for Leibowitz</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec23">Thomas More</a>
+<a href="#sec72">John Milton</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec24">Utopia</a>
+<a href="#sec73">Paradise Lost</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec25">Friedrich Nietzsche</a>
+<a href="#sec74">Alan Moore</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec26">Beyond Good and Evil</a>
+<a href="#sec75">Watchmen</a>
</dt>
<dt>
-<a href="#sec27">On the Geneaology of Morals</a>
+<a href="#sec76">V for Vendetta</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec28">Luke Rhinehardt</a>
+<a href="#sec77">Thomas More</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec29">The Dice Man</a>
+<a href="#sec78">Utopia</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec30">Neal Stephenson</a>
+<a href="#sec79">Friedrich Nietzsche</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec31">Snow Crash</a>
+<a href="#sec80">Thus Spoke Zarathustra</a>
</dt>
<dt>
-<a href="#sec32">Cryptonomicon</a>
+<a href="#sec81">Beyond Good and Evil</a>
+</dt>
+<dt>
+<a href="#sec82">On the Geneaology of Morals</a>
+</dt>
+<dt>
+<a href="#sec83">Ecce Homo</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec84">George Orwell</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec85">1984</a>
+</dt>
+<dt>
+<a href="#sec86">Animal Farm</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec87">Plato</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec88">Symposium</a>
+</dt>
+<dt>
+<a href="#sec89">Euthyphro</a>
+</dt>
+<dt>
+<a href="#sec90">Apology</a>
+</dt>
+<dt>
+<a href="#sec91">Crito</a>
+</dt>
+<dt>
+<a href="#sec92">Phaedo</a>
+</dt>
+<dt>
+<a href="#sec93">Protagoras</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec94">Luke Rhinehardt</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec95">The Dice Man</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec96">Neal Stephenson</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec97">Snow Crash</a>
+</dt>
+<dt>
+<a href="#sec98">Cryptonomicon</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec99">Bjarne Stroustrup</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec100">The C++ Programming Language (3rd edition)</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec101">JRR Tolkien</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec102">The Lord of the Rings</a>
+</dt>
+<dt>
+<a href="#sec103">The Silmarillion</a>
+</dt>
+<dt>
+<a href="#sec104">The Lost Tales</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec105">H.G. Wells</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec106">The Island of Dr Moreau</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec107">Yevgeny Zamyatin</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec108">We</a>
</dt>
</dl>
</dd>
<!-- Page published by Emacs Muse begins here --><h2><a name="sec1" id="sec1"></a>
-Marcus Aurelius</h2>
+Douglas Adams</h2>
<h3><a name="sec2" id="sec2"></a>
+Hitchiker's Guide to the Galaxy (collected)</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec3" id="sec3"></a>
+The Long Dark Tea-Time of the Soul</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec4" id="sec4"></a>
+Aeschylus</h2>
+
+
+
+<h3><a name="sec5" id="sec5"></a>
+Oresteia</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec6" id="sec6"></a>
+Prometheus Bound</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec7" id="sec7"></a>
+The Persians</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec8" id="sec8"></a>
+John Allison</h2>
+
+<p class="first">The author of the rather amazing <a href="http://scarygoround.com">Scary Go Round</a>.
+I highly recommend procuring the printed collections; the printing
+quality is superb (full color on glossy paper), and the long story
+arcs are much easier to read.</p>
+
+<h3><a name="sec9" id="sec9"></a>
+Looks, Brains and Everything</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec10" id="sec10"></a>
+Blame the Sky</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec11" id="sec11"></a>
+Skellington</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec12" id="sec12"></a>
+The Retribution Index</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec13" id="sec13"></a>
+Great Aches</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec14" id="sec14"></a>
+Ahoy Hoy!</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec15" id="sec15"></a>
+Heavy Metal Hearts and Flowers</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec16" id="sec16"></a>
+Ghosts</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec17" id="sec17"></a>
+Anonymous</h2>
+
+
+
+<h3><a name="sec18" id="sec18"></a>
+Chymical Wedding of Christian Rosenkreutz</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec19" id="sec19"></a>
+Aristophanes</h2>
+
+
+
+<h3><a name="sec20" id="sec20"></a>
+The Frogs</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec21" id="sec21"></a>
+The Clouds</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec22" id="sec22"></a>
+Ecclesiazusae</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec23" id="sec23"></a>
+Aristotle</h2>
+
+
+
+<h3><a name="sec24" id="sec24"></a>
+Ethics</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+<h3><a name="sec25" id="sec25"></a>
+Categories</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+<h3><a name="sec26" id="sec26"></a>
+Poetics</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+<h3><a name="sec27" id="sec27"></a>
+Rhetoric</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec28" id="sec28"></a>
+Marcus Aurelius</h2>
+
+
+
+<h3><a name="sec29" id="sec29"></a>
Meditations</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••</span><span class="rating-bad">••••</span> (6) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••</span><span class="rating-bad">•••••• </span> (4) / <em>Nonfiction</em></p>
-<p>I enjoyed reading this collection of meditations on Stoic
-philosophy. It is a fairly quick read; I read each of the twelve books
-before sleeping over the course of two weeks. Toward the end of the
-collection things get a bit topically repetetive (e.g. acting
-according to the nature of man is reflected upon over and over), but
-each repetition looks at the topic in a slightly different light. A
-number of passages I found quite inspiring, and scratched them down in
-my notebook to ponder further.</p>
+<p>At the time, I enjoyed reading this collection of meditations on
+Stoic philosophy, and it was a fairly quick read (fifteen minutes a
+day over the course of two weeks for me). Nowadays I've read
+Epictetus, and I suggest reading his <em>Discourses</em> instead.</p>
-<h2><a name="sec3" id="sec3"></a>
+
+<h2><a name="sec30" id="sec30"></a>
William Blake</h2>
<p class="first">Blake is my <a href="William%20Blake.html">favorite</a> of the English poets. His
with high resolution plate scans and full transcriptions among other
things.</p>
-<h3><a name="sec4" id="sec4"></a>
+<h3><a name="sec31" id="sec31"></a>
The Four Zoas</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
<p>The unfinished manuscript of Blake's longest apocalypse. The
Four Zoas divide from Albion and rage through the ages of dismal woe
Beulah.</p>
-<h3><a name="sec5" id="sec5"></a>
-Jerusalem</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Fiction</em></p>
+<h3><a name="sec32" id="sec32"></a>
+Jerusalem</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+<p>The finest of Blake's Illuminated works.</p>
+
+
+
+
+<h2><a name="sec33" id="sec33"></a>
+Mike Carey</h2>
+
+
+
+<h3><a name="sec34" id="sec34"></a>
+Lucifer (series)</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Fiction</em></p>
+
+<p>Of the <em>Sandman</em> spinoffs, <em>Lucifer</em> stands out as the best for
+the first half, but then the writer appears to take on far too great a
+task, and, with the introduction of some disagreeable character
+relations, fails to execute the story as well as it could have
+been. Still, it was worth reading to the end even though most of the
+stories after issue 35 or so were merely ok. If you like Kierkegaard I
+suggest issues 2, 3, and 62—they show the form of the incommensurable
+relation of the single individual to the absolute perfectly.</p>
+
+
+
+
+<h2><a name="sec35" id="sec35"></a>
+Confucius</h2>
+
+
+
+<h3><a name="sec36" id="sec36"></a>
+Analects</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec37" id="sec37"></a>
+Neil Gaiman</h2>
+
+
+
+<h3><a name="sec38" id="sec38"></a>
+The Sandman (series)</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+<p>Perhaps the best comic book series of all time; I would say <em>The
+Sandman</em> as a whole ranks higher than anything even Alan Moore has
+written.</p>
+
+
+
+<h3><a name="sec39" id="sec39"></a>
+Good Omens</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+<p>A friend of a friend decided one evening that I needed to read
+so-called <em>normal people books</em>, and so she lent me <em>Good Omens</em>. It
+was an enjoyable read and unearthed vague memories of comic book
+magazines I read when I was small and the name <em>Sandman</em>; thus through
+one book I found something far greater.</p>
-<p>The finest of Blake's Illuminated works.</p>
-<h2><a name="sec6" id="sec6"></a>
+<h2><a name="sec40" id="sec40"></a>
John Taylor Gatto</h2>
<p class="first">Former teacher and now author-activist.</p>
-<h3><a name="sec7" id="sec7"></a>
+<h3><a name="sec41" id="sec41"></a>
Underground History of American Education</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Nonfiction</em></p>
<p>An interesting <em>underground</em> history of the American education
system. Available
-<h2><a name="sec8" id="sec8"></a>
+
+<h2><a name="sec42" id="sec42"></a>
Kahlil Gibran</h2>
<p class="first">Kahlil Gibran is fairly interesting; his earlier works do not
the editions from the 50s and 60s (and cost quite a bit more,
naturally).</p>
-<h3><a name="sec9" id="sec9"></a>
+<h3><a name="sec43" id="sec43"></a>
A Tear and a Smile</h3>
-<p><em>Rating:</em> <span class="rating-good">•••</span><span class="rating-bad">•••••••</span> (3) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••</span><span class="rating-bad">••••••• </span> (3) / <em>Fiction</em></p>
<p>One of Kahlil Gibran's earlier works, I did not much like <em>A
Tear and a Smile</em> excepting the last poem ("A Poet's Voice").</p>
-<h3><a name="sec10" id="sec10"></a>
+
+<h3><a name="sec44" id="sec44"></a>
The Prophet</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
-<h3><a name="sec11" id="sec11"></a>
+
+<h3><a name="sec45" id="sec45"></a>
Sand and Foam</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
<p>An interesting little book of aphorisms.</p>
-<h3><a name="sec12" id="sec12"></a>
+
+<h3><a name="sec46" id="sec46"></a>
The Madman</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec47" id="sec47"></a>
+Homer</h2>
+
+
+
+<h3><a name="sec48" id="sec48"></a>
+The Odyssey</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec49" id="sec49"></a>
+Aldous Huxley</h2>
+
+<p class="first">Perhaps the most overrated modern writer. Other people have written
+everything he has to write better and many years before he got around
+to it.</p>
+
+<h3><a name="sec50" id="sec50"></a>
+The Doors of Perception</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> </span><span class="rating-bad">•••••••••• </span> (0) / <em>Nonfiction</em></p>
+<p>Huxley stains the name of Blake by naming this horrible
+pseudo-scientific and pseudo-poetic essay after a line from <em>The
+Marriage of Heaven and Hell</em>. Subjectivity and objectivity are
+incommensurable; his attempt and being subjectively objective is
+utterly worthless.</p>
+<h3><a name="sec51" id="sec51"></a>
+Heaven and Hell</h3>
-<h2><a name="sec13" id="sec13"></a>
+<p><em>Rating:</em> <span class="rating-good"> </span><span class="rating-bad">•••••••••• </span> (0) / <em>Nonfiction</em></p>
+
+<p>Blah blah LSD blah blah Mushrooms blah blah Peyote blah blah I'm
+Aldous Huxley I'm a pretentious jerk. Don't bother.</p>
+
+
+
+
+<h2><a name="sec52" id="sec52"></a>
William James</h2>
-<h3><a name="sec14" id="sec14"></a>
+<h3><a name="sec53" id="sec53"></a>
The Varieties of Religious Experience</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
<p><a href="William%20James%20-%20The%20Varieties%20of%20Religious%20Experience.html">A partially finished extended summary</a></p>
-<h3><a name="sec15" id="sec15"></a>
+
+<h3><a name="sec54" id="sec54"></a>
The PhD Octopus</h3>
<p><em>Nonfiction</em></p>
from the Mandarin disease. Are we doomed to suffer like the rest?</p>
</blockquote>
-<a href="William%20James%20-%20The%20PhD%20Octopus.html">Full Text</a>
+<p><a href="William%20James%20-%20The%20PhD%20Octopus.html">Full Text</a></p>
-<h2><a name="sec16" id="sec16"></a>
+
+
+<h2><a name="sec55" id="sec55"></a>
Henry James</h2>
<p class="first">The novelist brother of William James; I've not read many (read:
one) of his books, but what I did was decent.</p>
-<h3><a name="sec17" id="sec17"></a>
+<h3><a name="sec56" id="sec56"></a>
The Altar of the Dead</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
<p>A short novella about a man who maintained an altar in a church
for all of his lost loved ones on the surface, but something a bit
-<h2><a name="sec18" id="sec18"></a>
+
+<h2><a name="sec57" id="sec57"></a>
Gregor Kiczales</h2>
-<h3><a name="sec19" id="sec19"></a>
+<h3><a name="sec58" id="sec58"></a>
The Art of the Metaobject Protocol</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
<p>AMOP is useful as a reference to the CLOS MOP (although less so with
the online MOP spec), but the true value of the book lies in the first
-<h2><a name="sec20" id="sec20"></a>
+
+<h2><a name="sec59" id="sec59"></a>
Søren Kierkegaard</h2>
<p class="first">Kierkegaard was a master of style and philosophy; his writing is
interesting even if one finds the theistic extentialism espoused
disagreeable.</p>
-<h3><a name="sec21" id="sec21"></a>
+<h3><a name="sec60" id="sec60"></a>
Sickness Unto Death</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
<p>I purchased this when I was looking through books at a store after
being unable to find the book I really wanted, and I must say that it
forces reflection.</p>
-<h3><a name="sec22" id="sec22"></a>
+
+<h3><a name="sec61" id="sec61"></a>
Either/Or</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
<p>Composed of two portions, <em>Either/Or</em> is a rather lengthy but
rewarding read. The first book is a series of essays and a diary of a
-<h2><a name="sec23" id="sec23"></a>
+<h3><a name="sec62" id="sec62"></a>
+Fear and Trembling</h3>
+
+<p><em>Nonfiction</em></p>
+
+<p>An interesting dialectical lyric contrasting Despair and Faith.</p>
+
+
+
+<h3><a name="sec63" id="sec63"></a>
+Repetition</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
+
+<p>He who despairs of esthetic repetition gets none; he who despairs
+of ethical repetition receieves the esthetic. Is it true then that no
+repetition exists? Is transition all one can hope for?</p>
+
+
+
+
+<h2><a name="sec64" id="sec64"></a>
+Alisa Kwitney</h2>
+
+
+
+<h3><a name="sec65" id="sec65"></a>
+Destiny: A Chronicle of Deaths Foretold</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec66" id="sec66"></a>
+David Lamkins</h2>
+
+
+
+<h3><a name="sec67" id="sec67"></a>
+Successful Lisp</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Nonfiction</em></p>
+
+<p>After learning Scheme, I read <em>Successful Lisp</em> and was able to
+pick up Common Lisp fairly easily.</p>
+
+
+
+
+<h2><a name="sec68" id="sec68"></a>
+Mencius</h2>
+
+
+
+<h3><a name="sec69" id="sec69"></a>
+Mencius</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec70" id="sec70"></a>
+Walter Miller</h2>
+
+
+
+<h3><a name="sec71" id="sec71"></a>
+A Canticle for Leibowitz</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec72" id="sec72"></a>
+John Milton</h2>
+
+
+
+<h3><a name="sec73" id="sec73"></a>
+Paradise Lost</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec74" id="sec74"></a>
+Alan Moore</h2>
+
+
+
+<h3><a name="sec75" id="sec75"></a>
+Watchmen</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec76" id="sec76"></a>
+V for Vendetta</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec77" id="sec77"></a>
Thomas More</h2>
-<h3><a name="sec24" id="sec24"></a>
+<h3><a name="sec78" id="sec78"></a>
Utopia</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
<p>I read most of Utopia in high school with the TI-89 ebook reader, but
the way the book was split up made it a bit difficult to grasp the
-<h2><a name="sec25" id="sec25"></a>
+
+<h2><a name="sec79" id="sec79"></a>
Friedrich Nietzsche</h2>
<p class="first">A bit acerbic and esoteric, Nietzsche is for me a good <em>secular</em>
only Nietzsche the asshole rather than Nietzsche the master of the
polemic.</p>
-<h3><a name="sec26" id="sec26"></a>
+<h3><a name="sec80" id="sec80"></a>
+Thus Spoke Zarathustra</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+<p>A masterpiece of indirect communication depsite the occasional
+flaw and overly dramatic passage. Certainly a book worth reading many
+times over the course of one's life.</p>
+
+
+
+<h3><a name="sec81" id="sec81"></a>
Beyond Good and Evil</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Nonfiction</em></p>
<p>A somewhat more comprehensible, if a bit less aesthetically
pleasing, presentation of much of the philosophy found in <em>Thus Spoke
-Zarathustra</em>. The final chapters are very important (not to detract
-from the value of the rest of the work) if one wishes to understand
-<em>On the Genealogy of Morals</em>.</p>
+Zarathustra</em> in the negative form. The final chapters are very
+important (not to detract from the value of the rest of the work) if
+one wishes to understand <em>On the Genealogy of Morals</em>.</p>
-<h3><a name="sec27" id="sec27"></a>
+
+<h3><a name="sec82" id="sec82"></a>
On the Geneaology of Morals</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Nonfiction</em></p>
<p><em>On the Geneaology of Morals</em> is a wonderful book of three
-polemical essays on the origin of moral/ethic valuations, and the
+polemical essays on the origin of moral/ethical valuations, and the
blindness of modern philosphers whose very thinking is tainted by
these valuations unknowingly.</p>
-<h2><a name="sec28" id="sec28"></a>
+<h3><a name="sec83" id="sec83"></a>
+Ecce Homo</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
+
+<p><em>Ecce Homo</em> is Nietzsche's very strange autobiography and
+explanation of his own works. At points it is clear that it could have
+used a bit more editing (prevented by Nietzsche ... falling into a
+catatonic state and all), but is still a very useful book to read as
+Nietzsche explains the overall structure of his works.</p>
+
+
+
+
+<h2><a name="sec84" id="sec84"></a>
+George Orwell</h2>
+
+
+
+<h3><a name="sec85" id="sec85"></a>
+1984</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec86" id="sec86"></a>
+Animal Farm</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec87" id="sec87"></a>
+Plato</h2>
+
+
+
+<h3><a name="sec88" id="sec88"></a>
+Symposium</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec89" id="sec89"></a>
+Euthyphro</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec90" id="sec90"></a>
+Apology</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+<h3><a name="sec91" id="sec91"></a>
+Crito</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec92" id="sec92"></a>
+Phaedo</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
+
+
+
+
+
+<h3><a name="sec93" id="sec93"></a>
+Protagoras</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec94" id="sec94"></a>
Luke Rhinehardt</h2>
-<h3><a name="sec29" id="sec29"></a>
+<h3><a name="sec95" id="sec95"></a>
The Dice Man</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
<blockquote>
<p class="quoted">
-<h2><a name="sec30" id="sec30"></a>
+
+<h2><a name="sec96" id="sec96"></a>
Neal Stephenson</h2>
-<h3><a name="sec31" id="sec31"></a>
+<h3><a name="sec97" id="sec97"></a>
Snow Crash</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
<p>As one must read the <em>Bible</em> to understand English literature, so one
must read <em>Snow Crash</em> today to be a nerd. In the realm of modern pop
as more than mere cyberpunk fiction.</p>
-<h3><a name="sec32" id="sec32"></a>
+
+<h3><a name="sec98" id="sec98"></a>
Cryptonomicon</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
<p>I read <em>Cryptonomicon</em> when it was new, and at the time I thought it was
good. It could have lost a hundred or so pages without detracting from
+
+<h2><a name="sec99" id="sec99"></a>
+Bjarne Stroustrup</h2>
+
+
+
+<h3><a name="sec100" id="sec100"></a>
+The C++ Programming Language (3rd edition)</h3>
+
+<p><em>Nonfiction</em></p>
+
+<p>Once upon a time I was fifteen and I read this book. It was more
+or less what taught me how to write programs just large enough to do
+useful things, and so shall forever be remembered by me. A year and a
+half later I stumbled upon a little language called Scheme and fell
+down the rabbit hole.</p>
+
+
+
+
+<h2><a name="sec101" id="sec101"></a>
+JRR Tolkien</h2>
+
+
+
+<h3><a name="sec102" id="sec102"></a>
+The Lord of the Rings</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec103" id="sec103"></a>
+The Silmarillion</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec104" id="sec104"></a>
+The Lost Tales</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec105" id="sec105"></a>
+H.G. Wells</h2>
+
+
+
+<h3><a name="sec106" id="sec106"></a>
+The Island of Dr Moreau</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec107" id="sec107"></a>
+Yevgeny Zamyatin</h2>
+
+
+
+<h3><a name="sec108" id="sec108"></a>
+We</h3>
+
+<p><em>Fiction</em></p>
+
+
+
<!-- Page published by Emacs Muse ends here -->
<p class="cke-buttons">
</a>
</p>
-<p class="cke-footer"> To set your mind free you must first just listen
- Don't waste your life on worthless hate and contradiction
+<p class="cke-footer">Lindsay (Carlton): nighttime baker! sounds a little iffy
</p>
<p class="cke-timestamp">Last Modified:
- August 6, 2008</p>
+ March 2, 2009</p>
</body>
</html>
\ No newline at end of file
HCoop / clinton / website / site / unknownlamer.org.git / blobdiff